Victoria Loizides is an art writer and researcher working across Naarm.
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FOG LINES
Wherever its geographical location, fog takes shape in the mind. A membrane that negotiates within a system of culture and values; changing not the landscape, but the ability to navigate relationships between objects in the world. Sublimation—matter in transitional states from solid to gas—preoccupies Grace Mitchell’s Fog Lines with greyed-out apparitions of tangible memories. From…
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the cave forgot to glisten
Under flickering lights, the dark corridor wavered. I am isolated, the buildings’ tall ceilings shut out the urban landscape, but silence does not follow. Room six, I’m told. Getting closer, my ears prick at the sound of trickling water as it dissolves the city’s cacophony. Realising I made no estimations for the structural integrity of…
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FIBRES
Fibres’ define structure on a universal level. In the two gallery spaces of Intermission, this structure is fermented to procreate a relationship between the textile medium, the body and the challenges they face synonymously. Sophie Shingles, Iona Bellingham, Anna Smith, and Luka Lesosky-Hay explore how sculptural, anthropomorphic objects affect the politics of space. The schism…